Let me start this post by stating that what I’m about to say is only my personal opinion based on my years of experience as a performing songwriter/musician.

I’ve noticed a real increase in conversations on social media regarding the whole Originals vs Covers vs Tribute acts and I felt that I needed to share a view that I’ve held for a while now which forms part of the whole narrative.

It’s not designed as a means to solve a problem or issue but merely as a conversation starter. Anyway, the rant starts below…

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I want to share with you one of my pet peeves but by doing so I might just be opening up a can of worms but here goes…

There’s one thing that bothers me about how songwriters describe their music.

It’s when they describe their music as “original” music or themselves as an “original” artist either in a live performance context or, (to a lesser degree) in general conversation. 

Now, I understand where these songwriters are coming from, but let me explain why I think saying that your songs (or you as a songwriter/musician) are original may not be the best way to represent your work.

First of all, “original” isn’t a genre or type and when you describe you and/or your songs as such, you’re not really telling your audience anything about the style, sound, texture or vibe of what you do.

It’s a bit of a missed opportunity to really showcase what you and your music is all about. 

Now, this is what I’ve seen happen many times. A performer on stage introduces their next song as an “original” song and immediately the audience lose interest, turn off and tune out removing any vibe that was created.

It’s almost as if the audience upon hearing the word “original” just assumes that what they’re about to hear is going to be amateurish at best or a pile of shit at worst and you can feel the collective eyes rolling in the crowd when the word “original” is mentioned.

It seems that nowadays people generally don’t want to take risks with their leisure time. We want guarantees, we want instant gratification in the shortest space of time and when it comes to live music, we want to hear, see and experience something that is familiar to us.

Cover bands and tribute acts serve this need for familiarity very nicely indeed.

Unless they are at a music venue that specifically exists for “original” music, the expectation from the audience is that they’ll be recognising the music they’re listening to and because of this, the term “original” then becomes a divisive and alienating word to that audience.

People generally don’t appreciate being told that they are about to experience something that’s going to challenge them in an environment that doesn’t require the audience to be challenged. 

So, the next question is… What can we as songwriters do about this?

Well, in my time as a performing songwriter/musician who has played hundreds of gigs that are either 100% covers, 100% my songs or a hybrid mixture of covers and my songs, I’ve learned to never introduce myself as an original artist or my songs as original songs.

I just don’t say it… I continue playing as if nothing has happened. I play my music alongside the covers in my repertoire and just observe the audience’s reaction.

And guess what? 

When someone asks me during a break or at the end of the gig if any song I performed was one of my own, and I confirm that it was, their appreciation for me and my music actually increases and we start engaging in a meaningful conversation which is pretty awesome and what I reckon live music is all about. 

Touching, moving and inspiring your audience, one person at a time.

So, my fellow songwriters, here are a couple of tips that have worked for me and it’s my hope that they work for you too:

Firstly, when playing live, don’t introduce your song as an “original.” Instead, just share a little of what the song is about or alternatively, don’t say anything at all. Just get into it.

Secondly, when talking to people about your music and the gigs that you do, don’t say “I do originals” just mention the genres you write and perform in.

If you want to be a bit more general, say you perform a mix of your own songs and some covers and if you really must emphasise that you’re a songwriter, simply say that you’re a songwriter that’ll do the trick.

</rant>

What are your thoughts on this? Have I opened up the can of worms? Do you agree or have a different perspective? I’d love to hear your insights and experiences, so feel free to let me know what they are.

And let’s not forget, almost all music is inspired by something or someone else, so can we truly claim our work is “original” in the strictest sense?

Peace,

Corey 🙂

For a little while now I’ve been thinking about starting up another band to showcase my increasing portfolio of songs that haven’t seen the light of day.

I’ve been testing the waters, keeping one eye open and ear out on the local music scene and even re-joined the board of SCALA (Songwriters, Composers And Lyricists Association), a local/global songwriters association, just to see if the concept of getting yet another band together has some merit.

I mean, I must be some sort of masochist, a glutton for punishment. Another band?

Well, what can I say, I’m really a bass player by trade and right now I’m really missing playing bass to a live audience.

Currently I’m with The Ides Of March playing yacht rock covers and other forgotten hits from the past but the bass playing spot was already taken so I sing and play acoustic guitar and keys instead

I play bass and sing for The Synchronicity Police, (a three piece Police tribute outfit) but those gigs are few and far between at the moment so it doesn’t really count as consistent bass playing in my book.

I’m also filling in as the bass player for a local soul band Soul Sensations and although it’s been a lot of fun and all, I can’t guarantee that I can devote the time needed to become a full member of that band.

This is because I’ve made up my mind… I’m getting the band back together.

Well, I’ll be getting back together with my FIGJAM partner in crime Darren Zaza on guitar in the first instance, but we are looking for a drummer and a keyboard player to make up a four piece that hopes to create music that is the lovechild of The Police and The Badloves.

If you want to hear what the music might sound like, check out my album “Seeing Stars” from SoundCloud below…

I’m pretty excited about all this though because it means that I’m now ready to get back into playing live regularly and consistently so I can expose myself and my songs to a listening audience again.

Awesome.

So, with that being said, if you are either a drummer or a keyboard player or, you know (of) someone who plays drums or keys who’s looking for a band to connect with, then contact me and we can chat about what happens next.

See you in the rehearsal studio,

Corey 🙂